Prototype
See the annotation tool in action ⋅⋅⋅ » https://tool.domestic-beethoven.eu
Try it yourself here ⋅⋅⋅ » https://tool.domestic-beethoven.eu
Note that a personal Solid pod — available free from SolidCommunity — is required for use.
Documentation
Documentation for the Beethoven in the House Music Annotation model.
Publications
“A model for annotating musical versions and arrangements across multiple documents and media.” David Lewis, Elisabete Shibata, Mark Saccomano, Lisa Rosendahl, Johannes Kepper, Andrew Hankinson, Christine Siegert, and Kevin Page. 2022. 9th International Conference on Digital Libraries for Musicology (DLfM2022). Association for Computing Machinery, New York, 10–18. doi:10.1145/3543882.3543891
“Beethoven in the House: Digital Studies of Domestic Music Arrangements.” Kevin R. Page, Johannes Kepper, Christine Siegert, Andrew Hankinson, and David Lewis. Proceedings of the Music Encoding Conference 2021, pp.117-123, 2022. doi:10.17613/389b-xx73
Presentations
“Kammermusikbearbeitungen als Geschäft: Beethovens Symphonien im Verlag C. F. Peters.” Lisa Rosendahl. Geschäftsdaten als Quelle für die Musikwissenschaft. Repertoire- und Verlagsforschung mit der Musikverlagsdatenbank (mvdb), Leipzig, March 9-10, 2023.
“Beethoven in the House.” Christine Siegert, Andrew Hankinson, Johannes Kepper, David Lewis, Kevin Page, Lisa Rosendahl, Mark Saccomano, and Elisabete Shibata. Jahrestagung der Gesellschaft für Musikforschung, “Nach der Norm: Musikwissenschaft im 21. Jahrhundert,” Berlin, September 28-October 1, 2022.
“Modeling Music for Musicologists: A Linked Open Data Approach.” Mark Saccomano, Elisabete Shibata, David Lewis, Andrew Hankinson, Kevin Page. Digital Humanities 2022, Tokyo, July
“Beethoven in the House: Annotating Digital Sources to Contextualise Musicology Studies.” Kevin R. Page, Andrew Hankinson, Elisabete Shibata, and Mark Saccomano. IAML Congress 2022, Prague, July 24-29, 2022.
“Klaviertrio- und Vokalbearbeitungen des Allegrettos von Beethovens Siebter Symphonie: Analyse symphonischer Metamorphosen mithilfe digitaler Werkzeuge.” Elisabete Shibata and Lisa Rosendahl. Understanding Beethoven: Musicology and Computer Science in Dialogue, Koblenz, July 14-16, 2022.
“The Unknown Beethoven: Studying Domestic Arrangments of Symphonic Works with Digital Tools.” Christine Siegert and Mark Saccomano. Geisteswissenschaften und Informatik im Dialog: Aktuelle Perspektiven der Digital Humanities (Lecture Series), Fachrichtung Musikwissenschaft der Universität des Saarlandes / Trier Center for Digital Humanities der Universität Trier, January 17, 2022.
“Beethoven Arrangements: Can Digital Approaches Widen Our Investigative Reach?” Kevin Page and David Lewis. XVII. Internationaler Kongress der Gesellschaft für Musikforschung, “Musikwissenschaft nach Beethoven,” Bonn, September 28-October 1, 2021.
“Digital Musicology: An Interdisciplinary Perspective.” Kevin Page. Digital Humanities at Oxford, July 12-15, 2021.
“Beethoven in the House: Digital Studies of Domestic Music Arrangements.” Kevin R. Page, Johannes Kepper, Christine Siegert, Andrew Hankinson, and David Lewis. Music Encoding Conference, June
“Using Digital Tools to Analyze Domestic Arrangements of Beethoven’s Symphonies: Refining the Concept of the Musical Work.” Mark Saccomano. Forschungskolloquium, Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, October 27, 2020.
Panels
“Beethoven in the House.” Research project presentation. Jahrestagung der Gesellschaft für Musikforschung (GfM Tagung 2022), Berlin, September 28 – October 1, 2022.
“Beethoven’s Large Scale Works outside the Concert Hall: Towards a Digital Representation of Domestic Arrangements.” Roundtable. 21st Quinquennial Congress of the International Musicological Society, (IMS 2022), Athens, August 22-26, 2022.
Posters
“A New Conceptual Model for Musical Sources and Musicological Studies.” Elisabete Shibata, David Lewis, Mark Saccomano, Andrew Hankinson, Johannes Kepper, Kevin Page. Poster presented at Music Encoding Conference (MEC) 2022, Halifax, May 19-22, 2022.
Press
Rembert Unterstell. “Ode an das Werk.” forschung: Das Magazin der Deutschen Forschungsgemeinschaft, January 2020.